Auf den Ersten Weltkrieg folgte in Mitteleuropa ein grundlegender politischer Umbruch. Albert Dikovich arbeitet die Folgen dieser demokratischen Zeitenwende für die deutschsprachige Philosophie umfassend auf. Dabei untersucht er zum einen, wie nach dem katastrophalen Gewaltereignis des Krieges und angesichts der akuten Eskalation im Inneren die Grenzen der moralisch legitimen Mittel politischer Konfliktaustragung neu gezogen wurden. Zum anderen beleuchtet er den Zusammenhang zwischen rechts- und erkenntnistheoretischen Annahmen und Positionierungen innerhalb eines Spannungsfeldes konkurrierender politischer Neuordnungsentwürfe. Dabei zeigt sich, dass die damals (...) geführten philosophischen Kämpfe um die Demokratie mit unserer Gegenwart mehr zu tun haben, als es der geschichtliche Abstand vermuten lässt. (shrink)

Centering on the close 34-year relationship with Einstein, the author begins this absorbing book by describing his vow on the battlefield of Verdun: 'God, save me, and I will serve you as long as I live.' A member of the League for Human Rights, the Alexander von Humboldt International Club, and other peace organizations, Professor Hermanns became a disciple of Albert Einstein.

Der Atheismus erlebte in den letzten Jahren eine Renaissance. Durch verschiedene Publikationen wurde der Atheismus in der Offentlichkeit und in den Wissenschaften wieder zum Thema. Religioser Glaube sei mit einem wissenschaftlichen Weltbild nicht vereinbar, so viele Atheisten. Diese Bewegung fasst man unter dem Namen Neuer Atheismus zusammen. Aber ist tatsachlich etwas neu am neuen Atheismus? Gibt es in den modernen Naturwissenschaften noch einen Platz fur Gott? Konnen Argumente der neuen Atheisten uberzeugend zeigen, dass es unvernunftig und unwissenschaftlich ist, an die (...) Existenz eines Gottes zu glauben? Dies sind nur einige Beispielfragen, die die Autoren dieses Bandes versuchen werden zu beantworten. Die Autoren kommen aus unterschiedlichsten Disziplinen: Aus der Physik, der Biologie, der Mathematik, der Philosophie und der Theologie.". (shrink)

Philosophy and Kafka is a collection of original essays interrogating the relationship of literature and philosophy. The essays either discuss specific philosophical commentaries on Kafka’s work, consider the possible relevance of certain philosophical outlooks for examining Kafka’s writings, or examine Kafka’s writings in terms of a specific philosophical theme, such as communication and subjectivity, language and meaning, knowledge and truth, the human/animal divide, justice, and freedom.

Hermann von Helmholtz (1821a "1894) galt als der bedeutendste Physiker und Physiologe seiner Zeit. Er reflektiert in seinen Texten kritisch die Grenzen und den Horizont mAglicher Erkenntnis mit theoretisch-philosophischer Aufmerksamkeit. Aus der FA1/4lle seiner Publikationen stellten der Philosoph Moritz von Schlick und der Physiker und Mathematiker Paul Hertz 1921 aus AnlaA der 100-Jahrfeier seines Geburtstages den Band "Schriften zur Erkenntnistheorie" zusammen: a [ Aoeber den Ursprung und die Bedeutung der geometrischen Axiome (o.J.) a [ Aoeber die Tatsachen, die (...) der Geometrie zugrunde liegen (1868) a [ ZAhlen und Messen, erkenntnistheoretisch betrachtet (1887) a [ Die Tatsachen in der Wahrnehmung (1878). In ihrem Vorwort schreiben Hertz und Schlick: "Der oberste Gesichtspunkt, der uns bei der Auswahl und ErlAuterung der Schriften geleitet hat, war die RA1/4cksicht auf die Sache, auf die zur Sprache kommenden Probleme. Seine Schriften werden hier von neuem dargeboten um der Wahrheit willen, die in ihnen enthalten ist oder sich aus ihnen gewinnen lAAt." Nun erscheint dieses von Schlick und Hertz zusammengestellte Buch in einer bibliophilen Ausgabe...". this is a valuable edition of important papers on the foundations of mathematics published at a reasonable price.a (Zentralblatt fA1/4r Mathematik)..".Zweifellos handelt es sich hier um scharfsinnige Arbeiten, die zum erstenmal in ihrer Zeit die erkenntnistheoretische Relevanz der nichteuklidischen Geometrien thematisierten." (Neue ZA1/4rcher Zeitung). (shrink)

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

This chapter broadly follows the chronological order of Foucault's texts, selecting only those which supply crucial views about nature or the environment. It is therefore task‐specified rather than offering a total survey of all of Foucault's mentions of nature or environment. This chapter begins with some comments on Foucault's histories in general, in order to sketch how his methodologies opened up questions about our suppositions and received histories, and how they are relevant to the skeptical interrogation of the usage of (...) “nature.”. Foucault's histories are wide‐ranging, and includes examinations of government and institutional powers, the human sciences, sexuality, medicine, prisons and punishment, morality, and the treatment of madness. Foucault was not an environmentalist, but at a time of environmental crisis environmentalism might become Foucauldian. (shrink)

Angelaki, Volume 16, Issue 4, Page 5-17, December 2011.

In a series of highly publicized articles in 1952, Jean-Paul Sartre engaged Albert Camus in a bitter public confrontation over the ideas Camus articulated in his renowned work,. This volume contains English translations of the five texts constituting this famous philosophical quarrel. It also features a biographical and critical introduction plus two essays by contemporary scholars reflecting on the cultural and philosophical significance of this confrontation.

Abstract:Therapeutic misconception (TM)—when clinical research participants fail to adequately grasp the difference between participating in a clinical trial and receiving ordinary clinical care—has long been recognized as a significant problem in consent to clinical trials. We suggest that TM does not primarily reflect inadequate disclosure or participants’ incompetence. Instead, TM arises from divergent primary cognitive frames. The researchers’ frame places the clinical trial in the context of scientific designs for assessing intervention efficacy. In contrast, most participants have a cognitive frame (...) that is personal and focused primarily on their medical problems. To illustrate this, we draw on interview material from both clinical researchers and participants in clinical trials. We suggest that reducing TM requires encouraging subjects to adjust their frame, not just add information to their existing frame. What is necessary is ascientific reframingof participation in a clinical trial. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Response to David Carr, “The Significance of Music for the Promotion of Moral and Spiritual Value”Iris M. YobDavid Carr has addressed a question that has been lurking in philosophical literature for centuries and, I might add, in our collective intuition as well: Just what is the connection between music and the moral and spiritual life? And as we have come to expect from his work, he brings a (...) new perspective to this perennial question in his answer. First he traces a line of thinking since Plato about music and the ordering of the soul, he touches on the role of music and the other arts in exploring the complexities of the moral imperative as it is lived out in human lives, and returns at the end to give a new take on the old Platonic idea of ordering of the soul. Just maybe, he suggests, the detachment, however temporary, "from the trials and tribulations that beset us in the day to day rough and tumble of human practical affairs" "in the interests of some more balanced perspective" on spiritual and moral matters "might be easier to achieve in the contemplation and appreciation of great works of 'music alone.'"This conclusion does not lay claim to more than what is perfectly reasonable. Allowing oneself to be immersed in a great work of music or art or architecture or dance may very well provide that distance from every day life where one might [End Page 209] re-center and refocus, refresh and renew one's outlook on the world. Such an engagement with an artwork can interrupt the patterns of thinking and acting that might have become increasingly thoughtless and ego-centric. It can be a re-creation in the true sense of the word. Paul Tillich, one of the great twentieth century religious philosophers, tells of an experience he had during the First World War where he served as a chaplain in the German army. On a brief leave from the front he visited Kaiser Friedrich Museum in Berlin and stood entranced before Botticelli's "Madonna and Child with Singing Angels." The moment was spiritually transformative, he tells us, lifting his spirits beyond the mud and grime of the battlefield to contemplate life and meaning on a different plane altogether. The experience enabled him to return to duty with renewed inner strength and calm.1 I believe this is a rather powerful and compelling example of what Carr is talking about.In coming to his conclusion, Carr is relying on the particularly difficult case of "music alone," that is, music that does not have words, title, or any other kind of representative function. In other words his argument does not depend on any didactic nature or morally or spiritually directive intent of the music. Rather, it is centered on music that ostensibly is not about anything. This is musical sound composed and performed for the appreciation of what it is in itself. And yet, in providing distance from the every day world, according to Carr, it can give expression to "realms of spiritual experience that lie beyond the sensual and empirical." Here we enter the world of the metaphorical and symbolic, what Rudolf Otto would call the "irrational" or "superrational," or the realm of the Holy. While Carr does not state this explicitly I would go so far as to say that this realm of the wordless and sacred is where the spiritual and the moral are grounded and from where they draw their power.Against this background, I would like to ask how does "music alone," in the sense intended by Carr and Peter Kivy from whom he borrowed the term bring about this effect? We are unable now to ask Tillich what it was that gave the Botticelli its impact for him, but it is curious that what it did for him it most likely did not do for all the other soldiers from the front who happened upon it the way he did. Tillich would most likely explain its effect by resorting to his theory of symbols, because after all this painting does have a literal meaning that might very well have inspired him. But... (shrink)

In an opinion piece penned at the Great War’s onset yet apparently unpublished until now, the historian of religion Hermann Gunkel outlined the opportunities he saw for the German people in anticipation of their triumph. He believed this war could consummate what the Napoleonic Wars and the Unification of Germany had not. Gunkel hoped for true German unity, more liberal domestic politics, and spiritual restoration. Further still, he referred to a resurgence of piety on account of the conflict. On (...) the Great War’s centenary, this documentation speaks to the mobilizing, nationalist activities of Gunkel in particular and of academicians and theologians more generally. (shrink)

Sehr verehrter Herr Professor! Ihrem Buch über die Prinzipien der Quantenmechanik verdanke ich das Verständnis für die Geschlossenheit und Schönheit dieser Theorie, einer Schönheit, die, wie mir scheint, in der abstrakt symbolischen Art Ihrer Darstellung überhaupt erst richtig zur Geltung kommt. Die starken Anregungen, die ich von Ihnen erhalten habe und für die ich Ihnen dankbar bin, haben zugleich in mir den Wunsch geweckt, Ihre Meinung über einige Gedankengänge kennen zu lernen, die sich mir beim Studium der Quantenmechanik mehr und (...) mehr aufgedrängt haben. (shrink)

Die MISCELLANEA MEDIAEVALIA präsentieren seit ihrer Gründung durch Paul Wilpert im Jahre 1962 Arbeiten des Thomas-Instituts der Universität zu Köln. Das Kernstück der Publikationsreihe bilden die Akten der im zweijährigen Rhythmus stattfindenden Kölner Mediaevistentagungen, die vor über 50 Jahren von Josef Koch, dem Gründungsdirektor des Instituts, ins Leben gerufen wurden. Der interdisziplinäre Charakter dieser Kongresse prägt auch die Tagungsakten: Die MISCELLANEA MEDIAEVALIA versammeln Beiträge aus allen mediävistischen Disziplinen - die mittelalterliche Geschichte, die Philosophie, die Theologie sowie die Kunst- und (...) Literaturwissenschaften sind Teile einer Gesamtbetrachtung des Mittelalters. (shrink)